Films seen in May
Note – I’ve tried time and time again to offer
up brief reviews of every film I watch, which by now I have to confess is an
impossible chore for me stay on top of. To keep myself somewhat dedicated to
this site, I’m going to at least try to offer reviews of all the recent
films I see. So anything I see made within the last 3 years, plan on finding
a review in this log.
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01. Freaks (1932, USA)
Tod Browning [2nd viewing; no change in
rating ****]
02. High Plains Drifter (1973, USA)
Clint Eastwood -

a must
see
03.
Friends With Money (2006, USA)
Nicole Holofcener -

a must see
04.
Bloody Pit of Horror (1965, Italy) Massimo Pupillo
-

worthless
05.
The Beguiled (1971, USA) Don Siegel -

Excellent
06.
Walking and Talking (1996, USA) Nicole Holofcener
-

a must see
07.
Morocco (1930, USA) Josef von Sternberg -

Excellent
08.
Play Misty For Me (1971, USA) Clint Eastwood -

a must see
09.
Dressed to Kill (1980, USA) Brian De Palma -
[2nd
viewing; no change in rating ****]
10.
Shopgirl (2005, USA) Anand Tucker -

worthless
11.
The Fortune Cookie (1966, USA) Billy Wilder -

a must see
12.
Art School Confidential
(2006, USA) Terry Zwigoff -

worth
seeing
A major letdown from both director Terry Zwigoff
and writer Daniel Clowes, this smug comedy shows both of these unique talents
at their most undistinguished. The film chronicles the journey of Jerome (Clowes
stand-in Max Minghella) from high school into a NYC art school where he aspires
to become the 21st Century’s greatest artist and to lose his virginity
in the process. Much of the film’s critique on art school stereotypes
is spot-on and is the source of most of the laughs, but that is short-lived
and the rest consists of a pointless murder mystery, some dick jokes, and some
gay jokes. The deepest question the film manages to probe is whether Max can
actually achieve his goal of sex without first becoming a successful artist.
It’s lame to the Nth degree, and for the most part this resembles nothing
more than a disposable Kevin Smith comedy. Fortunately, Zwigoff is a great deal
more talented as a director than Smith, and things remain watchable despite
remaining pedestrian. And in a brief musical aside… Where the Hell is
that wonderful soundtrack that Ghost World had!?
13.
What Is It?
(2005, USA) Crispin Glover -

a
must see
Even though I suspect Glover of pandering to
the Midnight Movie audience with this unclassifiable directorial debut of his
-- essentially the more shocking and bizarre the imagery, the more those late-night
gore hounds will howl with delight -- there is a genuine brilliance to his madness
that is hard to refute. The over-the-top surrealism consists of a cast composed
entirely of people with Down’s Syndrome who share a fetish for torturing
snails, a fascination with pipes, and whom take part in a great many Three Stooges
style gags of physical violence. The film lifts off when we enter the inner-psyche
of our main character -- a gorgeous set piece featuring Glover clad in a fur
coat and sitting on a throne -- and the film’s imagery begins to take
on weight and carry a much richer significance as we explore just about every
taboo in the book. There are nude women with monkey masks emerging from volcanoes,
Ku Klux Klan music and a man in black face, a naked man with cerebral palsy
in a silk-lined seashell being masturbated, and all of this is presided over
by a godlike Shirley Temple on a cloud sticking a whip in her vagina. This is
about as deeply personal as filmmaking gets, however Glover in the process of
exploring his own feelings about these images, manages to bring the audience
along rather than leaving them in the dust (a la Jodorowsky) and part of what
you will get out of this film is a deeper understanding of your personal response
to these brutally frank images.
14.
The Gunfighter (1950, USA) Henry King -

a must see
15.
4 (2005, Russia) Ilya Khrjanovsky -

Excellent
16.
Late Spring (1949, Japan) Yasujiro Ozu -

Masterpiece
17.
The Horror of Party Beach (1964, USA) Del Tenney
-

has redeeming facet
18.
Boxer from Shantung (1972,
Hong Kong) Chang Cheh -

worth
seeing
19.
How to Marry a Millionaire (1953, USA) Jean Negulesco
-

a must see
20.
Tarantula (1955, USA) Jack Arnold -

a must see
21.
Through a Glass Darkly (1961, Sweden) Ingmar Bergman
-

a must see
22.
The Da Vinci Code (2006, USA) Ron Howard -

has redeeming facet
23.
Images (1972, USA) Robert Altman -

a must see
24.
The Pyjama Girl Case (1977, Italy) Flavio Mogherini
-

has redeeming facet
25.
Vampyres (1974, UK) José Ramón Larraz
-

has redeeming facet
26.
House on Bare Mountain (1962, USA) Lee Frost -

worthless
27.
Who Saw Her Die? (1972, Italy) Aldo Lado -

has redeeming facet
28.
A Perfect Couple (1979, USA) Robert Altman -

a must see
29.
The Third Page (1999, Turkey) Zeki Demirkubuz
-

worth seeing
30.
The Devil in Miss Jones (1973, USA) Gerard Damiano
-

has redeeming facet
31.
The Notorious Bettie Page (2005, USA) Mary Harron
-

has redeeming facet